Connective Conversations | Inside Oregon Art

Jan Verwoert | About the Connective Conversations Series

The University of Oregon College of Design in partnership with The Ford Family Foundation is pleased to announce the continuation of the Curator and Critic Tours and Lectures program, Connective Conversations | Inside Oregon Art for the 2017-18 season.

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Julia Bryan-Wilson

"Bruce Nauman: Queer Homophobia"

Thursday, November 8, 2018 at 6:00 p.m.
Lawrence Hall, Room 177
1190 Franklin Boulevard, Eugene

Julia Bryan-Wilson is the Doris and Clarence Malo Professor of Modern and Contemporary Art at the University of California, Berkeley; she is also the Director of the UC Berkeley Arts Research Center.  She is the author of Art Workers: Radical Practice in the Vietnam War Era (2009); Art in the Making: Artists and Their Materials from the Studio to Crowdsourcing (2016); and Fray: Art and Textile Politics (2017), which was awarded the 2018 Robert Motherwell Book Prize.  Bryan-Wilson’s influential writings on feminist and queer theory, craft histories, and contemporary art in the Americas have been widely published in venues that include Afterall, Artforum, Art Bulletin, Bookforum, differences, Grey Room, October, Oxford Art Journal, and Parkett, and she is the cocurator of the traveling exhibition Cecilia Vicuña: About to Happen. 

Julia Bryan-Wilson

Bruce Nauman, Run from Fear, Fun from Rear, 1972, Neon, Part a: 8 × 46 × 2 1/4 in. part b: 7 1/4 × 44 1/2 × 2 1/4 in.Bruce Nauman, Run from Fear, Fun from Rear, 1972, Neon, Part a: 8 × 46 × 2 1/4 in. part b: 7 1/4 × 44 1/2 × 2 1/4 in.

Julia Bryan-WilsonJulia Bryan-Wilson


About the Connective Conversations Series

Launched in 2010, Connective Conversations | Inside Oregon Art is a key element of The Ford Family Foundation’s Visual Arts Program, which honors interest in the visual arts by the late Mrs. Hallie Ford, a co-founder of the Foundation. The program brings professional curators and critics from outside the Northwest to conduct one-on-one studio visits with established artists, deliver lectures, and join in community conversations. Principal goals are to enhance the quality of artistic endeavors throughout the state by visual artists and visual arts institutions, and to improve Oregon’s visual arts ecology by making strategic investments in Oregon visual arts institutions. In 2015, the program partnership expanded to include Oregon College of Art and Craft and Reed College’s Douglas F. Cooley Memorial Art Gallery. Connective Conversations | Inside Oregon Art program is organized by the University of Oregon College of Design in collaboration with The Ford Family Foundation and other partners.

Connective Conversations has brought notable curators to Oregon including George Baker, associate professor of art history at UCLA; Helen Molesworth, chief curator at the Museum of Contemporary Art in Los Angeles; Suzanne Ramljak, curator of the American Federation of the Arts and Editor of Metalsmith magazine; Anne Ellegood, senior curator at the Hammer Museum in Los Angeles; and Michael Darling, the James W. Alsdorf Curator at the Museum of Contemporary Art, Chicago.

The Ford Family Foundation's Visual Arts program honors the interests in the visual arts by Mrs. Hallie Ford. The principal goals are to help enhance the quality of artistic endeavor and body of work by Oregon's most promising visual artists and to improve Oregon's visual arts ecology by making strategic investments in Oregon visual arts institutions. In 2014, the program was extended through 2019. The Foundation supports a range of program components, among them Connective Conversations as part of the Curator and Critic Tours and Lectures Series during which it partners with regionally-based institutions to invite professionals from outside the Northwest to conduct one-on-one studio visits and to join in community conversations.

The Foundation is the sole funder of this multifaceted program but partners with Oregon's leading visual arts educators, gallerists, and museum and arts professionals in certain aspects of program delivery. Other components of the Foundation’s work include awarding annually of up to five $25,000 Hallie Ford Fellowships; artists-in-residence programs; support for exhibitions, catalogs and other forms of documentation; small capital projects; grants for unanticipated career opportunities; and providing funding to acquire seminal works by Oregon visual artists to preserve public access to them.

“We remain committed to advancing the work of and opportunities for Oregon’s established visual artists and the institutions that further their progress by exhibiting and preserving their art,” said Foundation President Anne C. Kubisch. “The Curator/Critic program provides perspective, feedback, and exposure that Oregon artists might not otherwise receive.”

In 2015, The Ford Family Foundation and the UO College of Design announced the addition of new host partners—Oregon College of Art and Craft and Reed College’s Douglas F. Cooley Memorial Art Gallery—as part of the multiyear program that brings prominent curators and critics to Oregon to engage with visual artists statewide.

“There is great contemporary work in every imaginable medium produced here in Oregon, and there are an astonishing number of excellent practitioners working throughout the state,” says Kate Wagle, UO Department of Art professor and principal organizer of the Connective Conversations program for the UO College of Design.

Denise Mullen, president of Oregon College of Art and Craft, says her college is “honored to be a part of such an important catalyst to expand the discussion of contemporary art in Oregon. The contact with internationally known curators and critics for an artist is truly invaluable. For The Ford Family Foundation to nurture Oregon artists in this way embodies the spirit of the Foundation’s commitment to enrich our whole Oregon community.”

Stephanie Snyder, the John and Anne Hauberg Curator and Director of the Douglas F. Cooley Memorial Art Gallery at Reed College, notes, "The Curator and Critics program is richly rewarding for Oregon's artists. As a program partner and visit organizer, I am honored to select visiting curators and organize their studio visits with Oregon artists. I've seen the impact of the program first-hand. It's vitally important."