
BioNumeric Organisms 2.0, Handwoven Jacquard cotton, 36 x 24 inches, 2021
This textile was designed and woven using a specialized adaptation of Nils Aall Barricelli’s BioNumeric Organism program written in the 1950s. The adaptation was developed to use the original algorithms to output weavable structures and patterns for a digital Jacquard loom
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BioNumeric Organisms, Handwoven Jacquard cotton, 24 x 36 inches, 2021
This textile was designed and woven using a specialized adaptation of Nils Aall Barricelli’s BioNumeric Organism program written in the 1950s. The adaptation was developed to use the original algorithms to output weavable structures and patterns for a digital Jacquard loom
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Cumulative Shadow, installation view, 2021
This solo exhibition of digitally designed and woven textiles was presented at Holding Contemporary in Portland, OR in the summer of 2021
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10 Failed Circles, Handwoven Jacquard cotton, 26 x 26 inches each, 2021
This body of work takes advantage of aspect ratio conundrums inherent to the translation of digital imagery into physical cloth. Aspect ratio, which is a term most often associated with film and video, has its historical origins in woven cloth, where the thickness and thinness of thread alters and warps the regularity of a woven image, such as in a pictorial tapestry.
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10 Failed Circles, Handwoven Jacquard cotton, 52 x 34 inches, 2021
This textile was woven using a simple drawing program designed by the artist while in residency at the Crow's Shadow Institute for the Arts in Pendleton, OR. The software is inspired a historic computer graphics issue, in which programmers have attempted to mimic the naturally occurring phenomenon of overlapping shadows from multiple light sources generating progressively darker shadows.